Introducing Poison-202: a revolutionary new virtual synthesizer, inspired by classic hardware synthesizers from the 80's and 90's. All the main sound creation blocks you can imagine are here: oscillators, cutoff filters, ADSR-envelopes, ring/sync/cross modulation, LFO's, SuperSaw oscillator and more. Unlike many other software synthesizers at the market, which can reproduce only limited family of sounds, Poison-202 is capable of reproducing almost any classic synthesizer timbre thanks to its carefully designed parameter structure! Check out factory presets demo video.
160 built-in ready to use presets include famous and easily recognizable patches from rave and house electronic dance scene: The Prodigy, Chemical Brothers, Daft Punk, Snap, Depeche Mode, Darude, ATB, Azzido Da Bass, Kraftwerk and others.
Very precise SuperSaw oscillator emulation with Detune and Mix controls. SuperSaw consist of 7 saw oscillators, detuned, mixed and filtered in a very special way. First found in the legendary Roland JP-8000 synthesizer, it allows to create pure and rich sounds like hoovers and analog strings.
Pulse width modulation. Oscillator hard sync modulation. Ring modulation with mix control. Cross frequency modulation, which sounds similar to VPM modulation, first found in famous Korg Prophecy synthesizer. Two LFO modulators per patch. Use. Combine. Enjoy!
Choose oscillator pitch and tune, its waveform from 5 available types (saw, pulse, sine, triangle and super saw). Adjust pitch envelope with attack and decay faders.
Set up time-variant filter (TVF) for each oscillator with parameters like Cutoff, Resonance, Envelope depth, Keyboard tracking, ADSR faders, filter type from 5 available (lowpass, bandpass, hipass, peaking and notch).
Tune in time-variant amplifier (TVA) for each oscillator with standard familiar ADSR envelope. Select modulation type (Ring, Sync, Cross Modulation) and adjust volume balance between 1 and 2 oscillator.
Poison-202 has two LFO modulators per patch. Select each LFO type from 6 available (triangle, sine, saw, square, trapezoid and random). Adjust its frequency (Rate), and fade-in slope. Send it to Pitch, Filter or Amplifier. Cross-modulate LFO frequency or switch on its phase retrigger option.
Mix sub oscillator and noise into your patch. Select sub oscillator octave (12 or 24 semitones down) option.
Colorize your patch with 7 realtime effects provided: Distortion (with Foldback type option), Bit-Crusher, Chorus, Flanger, Delay, Panning Delay, Reverb.
Select signal routing structure from two options, Parallel or Serial. In Parallel mode, oscillators are independent from each other. In Serial mode, oscillators are mixed into one channel, then both filters are applied, and the final sound volume is shaped through TVA 1 envelope.From the Patch page you can also set up common patch parameters, like Solo (monophonic) playing mode, Legato, Portamento, Pitch Bend Range (up to 24 semitones), Patch Gain.
Select the way you will control the sound by Modulator Wheel. There are 6 parameters you can change with it in realtime: LFO 1 & 2 depth, Filter 1 & 2 Cutoff, Cross Modulation depth and Pitch of Oscillator 2 (useful when using Sync modulation).
Adjust the 3-Band EQ of the patch using Low, Mid and High equalizer knobs. You can also turn on/off built-in Master Limiter effect and change Master Volume from this page.
Minimum of controls with maximum of possibilities at the same time - the key concept idea in the whole Poison-202 system design
Each patch holds its own combination of Distortion (incl. Foldback), Bit-Crusher, 3-Band EQ, Chorus, Flanger, Delay / Panning and Reverb effects
Simple to use arpeggiator with ability to choose rhythmic pattern, note length, swing and more. Scale play keyboard mode with over 40 different scales